Yes, virtual worlds in unscripted TV genre can boost authenticity
For many people, “reality television” feels like anything other than real. Highly produced and constructed social experiments seem unproven. Ironically, having a completely digital artificial world has the power to elicit more authentic emotional responses and honesty than a plywood set house.
To reclaim the “reality” part of reality TV, producers must actively enable contestants to become their most authentic selves. Many new shows are pushing forward formats that elevate the importance of character and ability above complex variables such as physical appearance. Both Netflix and NBC’s “Love Is Blind”Sound” How to wean people out of external biases has been explored, but this approach has yet to be pursued to its full potential.
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artificial world, real people
In order to raise this base of absolute authenticity to its greatest potential, it is imperative to remove any and all barriers faced by people from the real world.
On “Alter Ego” the singers competed behind the avatars. (fox)
Creating a universe means that the producers have a completely clean slate with infinite possibilities, and they have complete control in shaping a series. In HyperReality, there are no limits to the ways we explore relationships, challenges, and identities. While it may seem counterintuitive to turn to fakes to bring out the “real” in people, a lot of research suggests that Anonymity can bring out personality traits – both positive and negative – that would not normally be displayed. In real life conversation.
The digital avatar, custom-built to convey the true essence of a participant and imported into the show’s universe with real-time motion capture technology, takes the approach of the previous show’s elements of oblivion and turns the dial to the max. Is. This new layer enables listeners and producers to overcome barriers and preconceived notions drawn from the real world. Free from these constraints, for better or worse, participants are empowered to be their most vulnerable and true selves.
move the style
Creating a series that takes place in a virtual world and using digital avatars may seem like a distant leap into the future, although some traditional shows like “The Masked Singer” already use artificial tricks and devices to disguise reality. are using. Virtual production methods have already taken the main stage in film and theatrical TV, with LED volumes popping up around the world. The logical next step is unpublished material.
Mecca in the “Andrew Lloyd Webber Night” episode of “The Masked Singer”. (Michael Baker / Fox).
We can explore this concept by examining the unwritten subgenre of dating shows. Instead of the classic picnic on the beach, what if potential partners were instead taken to a submarine in the depths of the ocean? Instead of the classic ice-breaker, they test their compatibility by fighting several deep-sea monsters as they race back to the surface.
Placing the contestants in an unfamiliar environment like never before adds to the stakes for both the participants and the spectators. Once we let go of the futility of physical attraction, will it survive a stress test like the spark of real romance or will it spark a love story before the two meet in person?
This can be achieved through virtual production techniques such as motion capture, the addition of simulated environments, and real-time visual effects – all of which enable seamless transitions into challenges and worlds.
Ultimately, there will always be aspects of reality TV that are accessible in some way or the other. Producers and studios choose their artists and their premises. But through these techniques, there is an emerging opportunity to move beyond interventions and post-production story arcs that can instead enhance the human experience and showcase raw emotion. HyperReality, at its core, is creating the most unrealistic situations imaginable, but it is through these situations that we discover who we really are.
