THE ARTIST | Jennifer Coolidge
THE SHOW | The White Lotus
THE EPISODE | “Arrivederci” (December 11, 2022)
THE PERFORMANCE | Give us a moment: we’re mourning the loss of a legendary TV character this week. We were honestly stunned to see Mike White kill Coolidge’s delightfully daffy socialite Tanya McQuoid in the Season 2 finale of HBO’s hit comedy-drama, simply because she’s been the main attraction for the past two seasons. . But at least Coolidge came out in style, giving Tanya a surprisingly resilient but hopelessly inept swan song.
The finale found Tanya in grave danger as she pieced together enough clues to realize that her new gay best friend Quentin was conspiring with her husband Greg to kill her and reclaim her vast fortune. We were impressed with Tanya’s detective skills, as Coolidge showed us a refreshingly strategic side to normally ignorant goofball. His line-readings were still hilarious, though — “These gays! They are trying to kill me! will live in meme heaven forever – and we loved the nuggets of physical comedy Coolidge added, too. (Tanya not-so-subtly walked away from her new gay friends to call for help… then quickly dropped her phone over the side of the boat in the water.)
Coolidge even got to play the part of an action hero, with a sobbing Tanya grabbing a gun and firing wildly, mowing down her would-be attackers in a hail of gunfire. But of course she had to add a punchline, Tanya asking the dying Quentin, “Is Greg having an affair?” (Ha!) Tanya met her end, however, when she slipped trying to get out of the boat and drowned, which was actually a perfectly fitting fate for our ditzy Tanya. We hated to see her go, but Coolidge’s funny and feisty farewell performance gave her a very dignified start.
HONORABLE MENTION | Lizzy Caplan’s Libby has been an entertaining and insightful narrator all season long on Hulu Fleishman is in trouble, but Libby is struggling herself, and Caplan has been great this week as Libby’s midlife crisis has suddenly caught up with her. Libby relished a chance to reunite with her college pals, ignoring her husband Adam in the process, Caplan displaying scathing insensitivity. But really, Libby missed out on her old life and her freedom, which Caplan spilled in a rambling, tear-choked monologue to Toby. She even got to play a younger Libby in flashbacks, tapping into the wide-eyed youth that the older Libby is so desperate to reunite with. FlemishConflicts are mostly quiet and internal, but Caplan let us know that inside these dissatisfied adults, serious emotional fireworks are erupting.
Which performance(s) hit your socks this week? Tell us in the comments!